![]() Users of the standard version can make fully use of all exciting presets created by other users (available in the FXP corner), including those created by Pianoteq PRO users: any preset created with Pianoteq Standard or Pianoteq PRO produces exactly the same sound in Pianoteq Standard and Pianoteq PRO. New exciting possibilities open up as you explore the parameters and discover sounds that you have never heard or thought of before. You can even modify the mechanical properties of the soundboard. to an imaginary giant grand of 10 m/33 ft. Some things can hardly be done in the real world, such as changing the string length from a mini grand of 1 m/3.3 ft. With just a few mouse clicks, you can achieve things that would require hours, or even weeks, by piano technicians to adapt on real acoustic pianos. The possibility to shape the sound through physical parameters is an extraordinary feature that cannot be found in any other piano software. You can also turn any Pianoteq instrument into a multi-instrument by using advanced keyboard splits for up to 105 notes (concerns instruments with extended octave range). By using its powerful Note Edit feature, you are able to adjust physical parameters for specific ranges, and even note by note. ![]() The Pro version works with internal sample rates up to 192 kHz. Pianoteq Pro is the ultimate product for professional composers and recording studios, and has proved to be an indispensable tool in many recording projects - from movie soundtracks and TV commercials to the latest hit songs.īy being physical modelled, Pianoteq Pro brings you an extremely sophisticated tool for sound shaping and instrument creation, letting you create your own unique sounds that will enrich your projects. You can use Pianoteq on any modern laptop and connect it to your MIDI compatible piano keyboard. The size of Pianoteq is just 40MB (MegaBytes) and installation is quick and easy. This results in a remarkably playable, vivid and adaptable instrument. The sound is reproduced through a physical model that simulates properties and behaviours of real acoustic pianos. Built-in graphic velocity curve with keyboard presets.Pianoteq represents the future of virtual pianos, providing the best and latest technology available. Built-in graphic equalizer with freely adjustable key points. ![]() Adjustable optional samples of acoustic noises (pedal and key release). It can be used successfully with a laptop (low hardware requirements). Sostenuto pedal, harmonic pedal and Una Corda (soft) pedal. Progressive sustain pedal, allowing partial-pedal effects. Adjustable spectrum profile, based on the first 8 overtones. Adjustable piano size (soundboard) and other similar parameters. Adjustable unison width (tuning) and other similar parameters. Adjustable hammer hardness (voicing) and other similar parameters. Real progressive variation of the timbre (127 velocities per note). No quantization noise (32-bit internal sampling at 48 KHz). It includes the entire complexity of a real piano (hammers, strings, duplex scale, pedals, cabinet). The piano sound is constructed in real time, responding to how the pianist strikes the keys and interacts with the pedals. It is in fact the first virtual piano factory - it can produce new brands as well as copies of historical instruments. Pianoteq is the first and only piano belonging to the fourth generation, developed in order to go beyond the limitations of the third generation and to become a versatile and innovating tool. It was followed in the 20th century by the second generation electro-acoustic pianos and the third generation sampled pianos where each note is a recording of how it sounded during a specific moment in time, not taking into account the complexity of the instrument. The first generation of pianos began with Cristofori's pianoforte in 1698 which came to maturity at the end of the 19th century with the acoustic grand pianos. Second generation: electro acoustic piano (1929) This is the very first, and only, piano available that belongs to this generation. Pianoteq is the result of an academic research and results in what we call the fourth piano generation.
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